KMSKA is a scientific institution of the Government of Flanders and collaborates as a research partner with various Belgian and foreign organisations and experts
Universities
Prof. Dr. Max Martens of
Ghent
University is, in association with KMSKA, conducting research into
Quentin Matsys and Early Renaissance painting in Antwerp.
The museum’s collaboration with
Brussels
University (VUB) has been apparent in recent years in the appointment of Prof. Dr. Arnout Balis
as research leader of the Rubens project (2008-2010).
In 2010, the museum cooperated with an international team of scientists under the leadership
of
Prof. Dr. Koen Janssens of the
University of
Antwerp whose topics of study have included the discolouration in the work of
Vincent Van Gogh and other artists.
Dr. Geert Van der Snickt, also associated with the University of Antwerp, is
conducting analyses of paint samples from and PXRF measurements on works by
Peter Paul Rubens in the museum collection.
The
Centre of Mexican Studies, a research institute
associated with the University of Antwerp, supports research into cultural exchanges between Mexico
and Belgium. In collaboration with the museum, the centre is researching the influence of 16th- and
17th-century Southern Netherlandish painting on painting in New Spain.
Finally, the museum is working with
Prof. Dr. Saskia de Bodt of the
University of
Utrecht (Netherlands) on a research project into 19th-century naturalism in the collection of
KMSKA.
In addition, KMSKA disseminates its expertise by participating in the training of students of
art history. The museum accommodates Ba and Ma trainees from all the aforementioned universities,
as well as
Radboud
University in Nijmegen (Netherlands).
Research Centres & Organisations
KMSKA collaborates with the
Rubenianum, a
knowledge and documentation centre of the City of Antwerp specialising in late Mediaeval to
18th-century art. Its main focus is on the Low Countries, particularly the work of
Rubens,
Jordaens and
van Dyck. Together, KMSKA and the Rubenianum aim to enhance their research into
Rubens through a smooth exchange of information between their respective teams. Furthermore, the
museum collaborates with Centrum Rubenianum vzw, an associated organisation that promotes research
into 16th- and 17th-century Flemish art. To this end, it edits scholarly publications, including
the high-profile
Corpus Rubenianum Ludwig Burchard – a catalogue of the oeuvre of
Peter Paul Rubens.
Arcobaleno vzw partners the museum in its material-technical collection research,
specifically in the field of X-ray imaging.
Finally, KMSKA collaborates with the
Ghent Interdisciplinary Centre for Art & Science on its
Quentin Matsys research programme.
Museums & Exhibition Centres
Under the permanent collaborative structure of
Flanders Art Collection, KMSKA maintains close ties
with two other major Flemish museums, namely the
Museum of
Fine Arts in Ghent and
Groeningemuseum
in Bruges. The Flanders Art Collection strives to combine the collections and expertise of these
three museums with a view to enhancing their international stature.
KMSKA also frequently enters into temporary cooperation agreements with museums at home and
abroad in preparation of specific exhibitions. It is currently working with the
Royal
Academy in London on the preparation of an exhibition on the influence of
Rubens on Western art.
Other partner institutions include the Municipal Museums of
Mechelen and
Lier, the Musée des Beaux-Arts in Lille
(France),
Koningin Fabiolazaal
(KFZ) of the Province of Antwerp and Antwerp’s new
MAS. Finally, KMSKA is working
on various joint-projects with regular partners such as
Rockoxhuis museum
and
BOZAR.
Memberships of Scientific Committees
Staff members of the Collection Research Department sit on various scientific committees. The department has representatives on several working groups under the Flemish Art Collection initiative, including those focusing on the Collection, the Flemish Primitives, James Ensor and Georges Minne. Furthermore, they participate in various collaborative initiatives involving universities and museums, such as the 19th-Century Working Group, the Ensor Advisory Committee, the Rubenianum Centre and Diptech, a working group involving Flemish Art Collection, Ghent University and the University of Antwerp for the purpose of establishing a material-technical research platform for Flanders.
Scientific Reference Tools
KMSKA’s research activities for the collection catalogue adhere to the guidelines of the Netherlands Institute for Art History in the Hague and the Getty Foundation in Los Angeles.
External Partners
In its research activities, KMSKA collaborates on a regular basis with external experts such as
Adri Verburg,
Marie Gevaerts,
Claire Betelu and
Jean-Albert Glatigny.
