Footnotes introduction
- https://jamesensor.vlaamsekunstcollectie.be/nl/nieuws/programma-inschrijving-ensor-symposium/
- https://jamesensor.vlaamsekunstcollectie.be/nl/bronnen/webpublicaties/ensor-occasioneel-modernist/ geconsulteerd 14/08/2024.- Herwig Todts, James Ensor, Occasional Modernist. Ensor’s Artistic and Social Ideas and the Interpretation of his Art. (XIX. Studies in the art history and visual culture of the nineteenth century), Turnhout: Brepols Publishers, 2018.- Herwig Todts, Verrukkelijke turbulentie. Ensor over het leven en de kunst, Sterck en Devreese, 2024.
- Todts 2018, p. 355.
- Geert Van der Snickt, “James Ensor’s Pigments studied by means of portable and Synchrotron Radiation-based X-ray Techniques: Evolution, Context and Degradation,” (PhD diss, Universiteit van Antwerpen, 2012).
- Mark Leonard and Louise Lippincott, ‘James Ensor’s Christ’s entry into Brussels in 1889: technical analysis, restoration, and reinterpretation’. Art Journal. Vol. 54, nr.2, 1995, p. 18-27.
- Geert Van der Snickt, “James Ensor’s Pigments studied by means of portable and Synchrotron Radiation-based X-ray Techniques: Evolution, Context and Degradation,” (PhD diss, Universiteit van Antwerpen, 2012), 41-47.
- Informatie van de website van Hirox Europe, geraadpleegd op 11/07/2024 op Hirox - 3D Digital Microscope - Hirox Europe (hirox-europe.com)
- Joyce Hill Stoner and Rebecca Rushfield, eds., Conservation of Easel Paintings, (New York: Routledge, 2012), 292-293.
- Stoner and Rushfield, Conservation of Easel Paintings, 294-296.
- Stoner and Rushfield, Conservation of Easel Paintings, 296-299.
- Stoner and Rushfield, Conservation of Easel Paintings, 299-300.
- Stoner and Rushfield, Conservation of Easel Paintings, 300-304.
- Geert Van der Snickt, “James Ensor’s Pigments studied by means of portable and Synchrotron Radiation-based X-ray Techniques: Evolution, Context and Degradation,” (PhD diss, Universiteit van Antwerpen, 2012), 55-69.
- Matthias Alfeld, et al. A mobile instrument for in situ scanning macro-XRF investigation of historical paintings. In J. Anal. At. Spectrom, 2013, 28, 760-767. DOI: 10.1039/c3ja30341a
- Vanmeert, F. et al (2022). Non-invasive and non-destructive examination of artists’ pigments, paints and paintings by means of X-ray imaging methods. In: Colombini, M.P., Degano, I., Nevin, A. (eds) Analytical Chemistry for the Study of Paintings and the Detection of Forgeries. Cultural Heritage Science. Springer, Cham. https://doi.org/10.1007/978-3-030-86865-9_11
