Footnotes Notes to user
- Geert Van der Snickt, “James Ensor’s Pigments studied by means of portable and Synchrotron Radiation-based X-ray Techniques: Evolution, Context and Degradation,” (PhD diss, Universiteit van Antwerpen, 2012), 41-47.
- Informatie van de website van Hirox Europe, geraadpleegd op 11/07/2024 op Hirox - 3D Digital Microscope - Hirox Europe (hirox-europe.com)
- Joyce Hill Stoner and Rebecca Rushfield, eds., Conservation of Easel Paintings, (New York: Routledge, 2012), 292-293.
- Stoner and Rushfield, Conservation of Easel Paintings, 294-296.
- Stoner and Rushfield, Conservation of Easel Paintings, 296-299.
- Stoner and Rushfield, Conservation of Easel Paintings, 299-300.
- Stoner and Rushfield, Conservation of Easel Paintings, 300-304.
- Geert Van der Snickt, “James Ensor’s Pigments studied by means of portable and Synchrotron Radiation-based X-ray Techniques: Evolution, Context and Degradation,” (PhD diss, Universiteit van Antwerpen, 2012), 55-69.
- Matthias Alfeld, et al. A mobile instrument for in situ scanning macro-XRF investigation of historical paintings. In J. Anal. At. Spectrom, 2013, 28, 760-767. DOI: 10.1039/c3ja30341a
- Vanmeert, F. et al (2022). Non-invasive and non-destructive examination of artists’ pigments, paints and paintings by means of X-ray imaging methods. In: Colombini, M.P., Degano, I., Nevin, A. (eds) Analytical Chemistry for the Study of Paintings and the Detection of Forgeries. Cultural Heritage Science. Springer, Cham. https://doi.org/10.1007/978-3-030-86865-9_11
